{"id":19274,"date":"2026-07-06T07:12:39","date_gmt":"2026-07-06T07:12:39","guid":{"rendered":"https:\/\/hipsync.com.au\/?p=19274"},"modified":"2026-07-06T07:12:39","modified_gmt":"2026-07-06T07:12:39","slug":"response-to-humming-the-bones-by-ami-skanberg","status":"publish","type":"post","link":"https:\/\/hipsync.com.au\/?p=19274","title":{"rendered":"Response to &#8220;Humming the Bones&#8221; by Ami Sk\u00e5nberg"},"content":{"rendered":"<p><strong>Recommendation and reflection on <em>Humming the Bones<\/em> by <span class=\"gmail-hover:entity-accent entity-underline gmail-inline gmail-cursor-pointer gmail-align-baseline\"><span class=\"gmail-whitespace-normal\">Dianne Reid<\/span><\/span><\/strong><\/p>\n<p><em>Humming the Bones &#8211;<\/em>\u00a0what a title, what a writer, what a force of movement Dr\u00a0<span class=\"gmail-hover:entity-accent entity-underline gmail-inline gmail-cursor-pointer gmail-align-baseline\"><span class=\"gmail-whitespace-normal\">Dianne Reid<\/span><\/span> is.<\/p>\n<p>This is a beautifully written book about the life of performers &#8211; especially those working across dance, choreography, writing, screendance, teaching, and research. It is an intellectual and compassionate autobiography, yet also accessible and generous in what it offers the reader.<\/p>\n<p>Reading it, I am reminded of <span class=\"gmail-hover:entity-accent entity-underline gmail-inline gmail-cursor-pointer gmail-align-baseline\"><span class=\"gmail-whitespace-normal\">Isadora Duncan<\/span><\/span> \u2013 the same wild, passionate striving to understand life through movement, to inhabit space fully, and to live independently as an artist. The resilience it demands &#8211; a particular act of survival.<\/p>\n<p>I had the great fortune of meeting Dianne Reid in 2007, when I spent three months in\u00a0 Melbourne. I admired her from the very beginning. We met at Dancehouse, where I taught my weekly morning classes. I also took her classes myself, rediscovering the joy of dancing and gaining new inspiration for Dianne&#8217;s class and choreography.<\/p>\n<p>We collaborated on a walking screendance piece, and I later invited Dianne to create a performance with me and my Japanese colleague Heidi S. Durning. Performing Dianne\u2019s choreography was a privilege &#8211; I learned so much through that experience.<\/p>\n<p>Looking back, I feel especially grateful for the time we spent revisiting collaborative works, touring, and creating under often unstable conditions &#8211; financially and spatially. Reading about her earlier life, which I previously knew little about, is deeply moving and sometimes heartbreaking. In many ways, we share similar artistic paths. While I never busked on the streets of Europe, I too moved between comedy, stand-up, and modern\/postmodern dance.<\/p>\n<p>Dianne Reid has long been a role model for me. Her integration of dance and text is powerful, witty, and confident. She is generous, energetic, and passionately engaged with movement, camera, and language. I have followed her articles and admired her video work, and shared it with my students. Her collaborations with lovely Mel Smith gave me yet a moment to follow her work and present it to audiences in Gothenburg, Sweden.<\/p>\n<p>Her writing on intercultural practice is particularly striking. I have always wanted to dance in India, and through Dianne\u2019s words, I feel as though I have already experienced something of that journey.<\/p>\n<p>I bow to this book and to all the knowledge it carries.<\/p>\n<p>Ami Sk\u00e5nberg ( also finally a Dr&#8230;), Gothenburg, Sweden<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recommendation and reflection on Humming the Bones by Dianne Reid Humming the Bones &#8211;\u00a0what a title, what a writer, what a force of movement Dr\u00a0Dianne Reid is. This is a beautifully written book about the life of performers &#8211; especially those working across dance, choreography, writing, screendance, teaching, and research. It is an intellectual and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1438,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-19274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance_interrogations_dianne_reid"],"_links":{"self":[{"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/posts\/19274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19274"}],"version-history":[{"count":1,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/posts\/19274\/revisions"}],"predecessor-version":[{"id":19275,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/posts\/19274\/revisions\/19275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=\/wp\/v2\/media\/1438"}],"wp:attachment":[{"href":"https:\/\/hipsync.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hipsync.com.au\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}